Criticultura em Portugal

Little Children (2006) Directed by Todd Field Starring Kate Winslet and Patrick Wilson   US director Todd Field (b. 1964) is an enigma. In the early part of this century he made two outstanding films that dissected and probed into the American consciousness, In the Bedroom (2001) and Little Children . Both have vividly written characters that have depth and resonance that lasts well after you have seen the movie. Like the great European directors, he writes his own screenplays, as a true auteur in the mode of Bergman or Lars von Trier. There is a unity of execution in these two movies that portended a brilliant film career, perhaps one to reach the levels of the greats. But then something happened. Field has vanished, with some proposed collaborations with major authors like Cormac McCarthy and Joan Didion never coming to fruition. Very strange, and quite sad, because these two films are superb, perhaps the strongest debut by any US director since Mike Nichols made Who’s Afrai

Stranger Things (2016-19) Written and directed by The Duffer Brothers Starring Wynona Ryder When I reviewed the compelling Donny Darko a few weeks ago, I read some articles saying how it had influenced many sci-fi and fantasy filmmakers over the start of this century, and particularly Spielberg-retro tributes like Stranger Things , a Netflix series that has now completed three seasons. Interested, I have binge watched it over the past couple weeks. It’s not something I would normally review, as it is wrenchingly popular entertainment. But I found it so staggeringly in-your-face imitative that I could not resist. So what is the boundary between a work of art paying homage or tribute to an earlier classic work, and simply ripping it off? This is probably a meaningless question. Composers and artists have copied themselves for years, especially after a big hit: in classical music Massenet’s Manon begat Le Portrait de Manon , Bach’s Mass in B minor reuses many earlier pieces fr