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Showing posts from 2015

Theater: The Unrepeatable Moment--six short plays provoke

The Unrepeatable Moment, a set of six short plays by John Yearley presented by The Barrow Group, was a provocative evening of theater. The plays were not written as a set, but when packaged together, presented a touching panorama of companionship, love, and loneliness. Most settings were in New York or similar urban settings. The plays were 1-2 character affairs, and all the actors were good, some extraordinary. Most memorable was "Horrible Person that I am", a monologue (Tricia Alexandro) of a lonely urban woman stood up on her last date and reaching the limits of her loneliness (through a brash NY veneer). The finale "A Low Lying Fog" was also memorable, with convincing interactions among brothers about, life and an automobile accident. Turns out one of them is actually dead, and the "Ghost"-like scenario works really well without gimmickry. The small theater and fine, intense acting made me grateful to live in a theater mecca. The depth of acting talent

Theater: Mercury Fur is a punch below the belt

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I saw the remarkable Mercury Fur  twice, since after one viewing I thought I missed some plot twists and dialogue, and because I wanted to sit closer to the violence. The play by Philip Ridley, an English pioneer in so-called "in yer face theater", defined on Wikipedia as  "Vulgar, shocking, and confrontational material on stage as a means of involving and affecting their audiences", does just that, and left me exhilarated. He uses numbing violence somewhat like Quentin Tarantino does, but without the smugness and with an effort to make serious points. The production was stunning, set in a old warehouse, and requiring audience members to climb through the set and assorted debris to get to their seats (some of which were old dubious stuffed chairs). The play begins in complete darkness which is penetrated effectively by the young cast members entering with flashlights. From here on, the play and production relentlessly and effectively communicate the vibe of being

Who I Am

I am a semiretired physician-educator who at long last has settled near Manhattan to enjoy theater, opera, and music.                                                                                                                                                                 I have substituted reading difficult novels for my science reading. In short, I now can thrive in the humanities largely deferred during a satisfying but busy medical career. I have been a singer, pianist, and conductor, and have strong opinions about artistic quality that I enjoy sharing with others.